Dusan pekic

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Za ozljedu tjelesnog tkiva pogledajte. Ali dva momka, jedan stvaran, drugi fiktivan, su se previše vezali jedan za drugog i umesto da bude obrnuto Pinki je Dušana povukao sa sobom. Po završetku priče sa svojim filmskim debijem, želeo je da upiše Akademiju i da radi na sebi, u cilju da postane vrstan glumac.

Dragojević je za cijeli događaj saznao od svojih prijatelja te odlučio napisao scenarij temeljen na istome. Istina verovatno nikad neće biti otkrivena. Носилац је и других , међу којима су — , , и др. Са четом је учествовао у многим борбама, али је прилком преласка батаљона са за Жумберак, тешко рањен у непријатељском бомбардовању. In a fit of anger one youth shot the other five times, but the wounded youth survived and recovered. George Slays the Dragon and a smaller film based on the television news report about two teenage criminals in contemporary Belgrade — both of which his Serbian producers, Cobra Film owned by the Bjelogrlić brothers and , wanted him to do before potentially going to America. The film proved to be Pekić's first and only role, as he died in 2000. Na zalost uobicajeno losa prica iz tog kraja 30% normalnih, 20% kriminalci na slobodi, 20% po zatvorima, 30% narkomani sto zivi sto mrtvi, izgubljene cele generacije. After shooting Švaba three times, he considers wounding him one more time instead of the required two.

У тим борбама Пекић је тешко рањен и упућен у на лечење. So then, at the premiere, a minor scandal occurred when some functionaries walked out and as a result our TV promotion got cut immediately. Четврта непријатељска офанзива га је затекла у болници.

Dusan Pekic Filmographie - Le Guide de Films en Streaming - Retrieved 12 January 2014. He claims to have purposely avoided actually watching the TV report because he didn't want to have his writing, casting, and directorial decisions subconsciously influenced by images or language in it.

The story takes place throughout the 1990s, against the backdrop of and growing. The film follows the fate of two boys, Pinki and Švaba, growing up in during the period 1991—96. Pinki was born on 4 May 1980, the day Yugoslav president died, and was given his unusual name by his father Stojan Mučibabić, an idealistic, impulsive, and patriotic officer of the JNA who is deeply devoted to communist ideals and Marshal Tito. Father's first choice for his firstborn's name was actually Tito, but the officials at the municipal office thought it provocative and inappropriate in the time of grieving so he eventually settled on Pinki after local communist. Meanwhile, Pinki's best friend Švaba is raised and cared for only by his grandmother, a who fled to Serbia during after from the Croatian fascist movement. Living in the block of apartment buildings in Novi Beograd's neighbourhood of , both kids are extremely juvenile, though Pinki is a bit more thoughtful and articulate while Švaba is moody, impulsive, and prone to anger outbursts. The duo also has another friend in the neighbourhood — Dijabola, an eager, geeky, and bespectacled outsider whose sexy and aloof mother Lidija is a well-known television host. Though they hang out with him, Pinki and Švaba mostly treat Dijabola badly. He is constantly the butt of their insults and occasionally even gets beaten up by them. The story begins in the late summer of 1991 as the kids watch Serbian troops regular JNA troops and various volunteer militias going off to war in neighbouring Croatia where the is raging. Pinki's father Stojan is extremely frustrated about being forced into early retirement by the JNA army and thus missing the chance to go to war. He spends his days glued to the television set, watching news reports from Vukovar and cheering on the JNA. By now he has transformed into a nationalist and has become extremely irritable, getting into petty quarrels with neighbours and venting his anger along the ethnic and political lines. He has also found a new idol - instead of Tito he's now a huge supporter of. Pinki, for his part, is mostly oblivious to the events around him as he spends most of his time compulsively masturbating. By 1992 and 1993, Serbia is under a , and the war has spread from Croatia to Bosnia as well. Entering their early teens, Pinki, Švaba and Dijabola begin their fascination with a neighbour across the street Kure who drives a nice car, makes regular robbing excursions to Germany while dating a trashy singer. They're deeply impressed with his swagger and lifestyle and are ecstatic one day when he invites them to unload his car that's full of stuff he brought over from Germany. In fact, he sends Dijabola away and picks only Švaba, but then upon Švaba's suggestion tells Pinki to come along as well. Like many of their peers, Pinki and Švaba enter the world of crime at fourteen years of age in an ex-communist community that is in hyper-transition, which, because of war and sanctions, reminds the two friends of a theater of the absurd. The idols of the main characters are famous gangsters and a TV show called Puls Asfalta Pulse of the Asphalt which features criminals and turns them into media stars. Pinki and Švaba fantasize of being on the show one day and they attempt to be noticed by its producers by committing crimes. After they succeed in establishing themselves as influential criminals and drug dealers, their uprising in the world of crime is cut by mutual conflict as both start having sex with Lidija. Švaba shoots Pinki five times in the that was wounded two thousand years ago. Pinki manages to survive and after some time he escapes from the hospital, and calls his friend to make peace. The truce is more than terrible, as the wounded boy has, after an unwritten rule, to inflict five identical wounds to his friend, so the friendship can be rebuilt. After shooting Švaba three times, he considers wounding him one more time instead of the required two. They are suddenly interrupted by a furious Dijabola who shoots at them, especially Švaba, for killing his mother. A shootout occurs and Švaba and Dijabola are killed. Meanwhile, back home in Serbia he had two film ideas in the early stages of development — the epic World War I story St. George Slays the Dragon and a smaller film based on the television news report about two teenage criminals in contemporary Belgrade — both of which his Serbian producers, Cobra Film owned by the Bjelogrlić brothers and , wanted him to do before potentially going to America. In a fit of anger one youth shot the other five times, but the wounded youth survived and recovered. Later, attempting to 'repair' their friendship, the shooter offered his recovered friend to shoot him five times in the exact body parts in order to get even. The recovered victim accepted the offer and shot his assailant back five times before they resumed their friendship. Dragojević was reportedly told of this by friends and eventually decided to write a screenplay around it. He claims to have purposely avoided actually watching the TV report because he didn't want to have his writing, casting, and directorial decisions subconsciously influenced by images or language in it. After finally seeing the report upon film's completion, Dragojević said he was amazed with the visual and behavioural similarities between the two sets of teens. Dragojević cast Dušan Pekić for the lead role of Pinki, selecting him from 5,000 youths who auditioned for the role, noting that Pekić shared a similar background with character Pinki. The film proved to be Pekić's first and only role, as he died in 2000. The filming began in fall 1997 and had 78 shooting days. The film's was funded in large part by the state institutions such as the state-run broadcaster. Among its corporate sponsors, the movie's closing credits also list the and. As Rane was going into theatrical release, the film's director, Srđan Dragojević, put out an accompanying statement explaining his personal motivation to revisit the subject of Yugoslav Wars, this time from the perspective of those living behind the frontlines. The film was released in FR Yugoslavia Serbia and Montenegro in May 1998 where it became a cinema hit with 450,000 admission tickets sold despite its promotional cycle in the country being severely impacted by the government's refusal to run the film's ads on state television RTS then under general manager Dragoljub Milanović. The authorities had been dissatisfied with the country's bleak portrayal in the film. I managed to find out from the JUL circles at the time that they're not mad at us for making a movie against them, but that they have a problem with the fact that we did it using their money. And in a way they have a point there because that was a calculated swindle on our part. It would be very useful for me to now be able to say that they threatened me, but that simply isn't true. I'm no martyr, here. The only thing was that they wouldn't give me access to , but at that time no sane person would even think of going on RTS. Journalists asked me a lot about that, especially in Croatia and Bosnia-Herzegovina, but there's really not much to the story. Today, that wouldn't be possible, and I say that almost with nostalgia..... On the other hand, back then we lived in a country that we considered to be a dictatorship and we thought of Milošević as a big time dictator, and it's not like we had no reasons to think of him that way. However, on the festival circuit with Lepa sela and especially with Rane we'd meet foreigner after foreigner telling us in utter bemusement: 'Wait a sec, you guys got state funding to make a movie like this, wow, it must be a very free and democratic society'. And of course it wasn't really, because we employed a lot of tricks so that in many instances the individuals approving the money had the wrong impression of what the movie is going to be. Specifically with Rane, we submitted a completely fake script to the RTS. So then, at the premiere, a minor scandal occurred when some functionaries walked out and as a result our TV promotion got cut immediately. And being the film's producer, I figured it would be good to see through private channels if there would be more serious repercussions so I managed to get to a man who held high post in the police at the time. And he told me the famous line: 'We're OK with you criticizing us, but we're not OK with the fact you're doing it with our dough' and advised me to lay low until the situation blows over. So I went to France to watch the and I continued traveling around Europe for a bit. So, by the time I got back home things cooled down a bit and nothing serious took place. Another curiosity of its release in Croatia was the fact that it was subtitled. Even its title was translated from Rane to Ozljede, all of which became subject of much outrage and ridicule. It became a hit in the cinemas regardless, selling more than 40,000 admission tickets ~42,000 in Croatia. Retrieved 21 November 2016. The New York Times. Retrieved 12 January 2014. The New York Times. Retrieved 12 January 2014. Retrieved 12 January 2014. Retrieved 12 January 2014. The New York Times. Retrieved 12 January 2014. Retrieved 12 January 2014.